Showing posts with label Dead. Show all posts
Showing posts with label Dead. Show all posts

Tuesday, April 30, 2024

Tuesday, April 30, 2024: TWOfer Tuesday - The "I Don't Want To Like The Grateful Dead" Edition


 

Somehow, and I honestly cannot tell exactly how or where this started, but I am currently obsessed with the song Scarlet Begonias by The Grateful Dead. 

Now, The Dead are one of those groups that have been on my radar for most of my life.  My older sister had some Dead records when I was growing up (Workingman's Dead and American Beauty, I think).

But it always felt like getting into The Dead, like, really being a fan, took some effort.  I could happily collect Springsteen albums and call myself a Springsteen fan.  But in order to be accepted and understood as a true Dead Head, you had to see them live.  Multiple times.  Then not only collect the regular albums, but also get heavy into the bootlegs.  And then, you needed to have strong opinions about different aspects of The Dead: who was the best guitarist, which bootleg had the best version of Dark Star, at what point, exactly, did they "sell out."

It all seemed exhausting.  So, while I love classic rock, I just never managed to get The Dead into any regular rotation.

Until now.  Until this damn Scarlet Begonias song.  But, here's the deal.

I love Frank Zappa.  I've been heavy, heavy into Zappa for a few years now.  Which means, I already am a devoted member of a very complex fan base. 

Zappa and The Dead: 

  • Both were highly experimental in their music
  • Both were very into improvisation, known for long jams
  • Both seen as symbols of the anti-establishment movement, advocates for personal freedom, experimentation, and alternative lifestyles 
  • Both left a lasting impact on music and popular culture
  • Both have a diverse fanbase that transcended typical demographic boundaries
  • Both have complex discographies that span decades, that include hundreds of bootleg recordings
  • Both artists invite strong opinions about the different stages of their musical journey, the artists they associated with, and specifically which songs are best done live (again, over a course of careers of touring spanning decades, and over the totality of the globe.)

In short, man, I just don't want to get into any more arguments about which version of which song was done best on which tour, or which guitarist was best, or which album has the best re-release.

I'm up to my neck with all that as a Zappa fan.

But, then I listen to Friend of the Devil.  Or Uncle John's Band. Or Box of Rain.  And I think, damn damn damn, The Dead were pretty great, weren't they?

In closing, I do not want to like the Grateful Dead.  But, I will if I have to.

Anyway, here's a live version of Dark Star. Enjoy. 


Monday, December 27, 2010

Monday, December 27, 2010: The Dead Weather - Hustle and Cuss



2010 is coming to a close.

My plan for this last week is to look at some of the standout tracks from this year.

Let's get going straight out of the gate with The Dead Weather.

The Dead Weather are Alison Mosshart (of The Kills and Discount), Jack White (of The White Stripes and The Raconteurs), Dean Fertita (of Queens of the Stone Age) and Jack Lawrence (of The Raconteurs and The Greenhornes).

Shake off those post-Christmas blues, crank it up, shake your ass and get ready to blow the lid off this final week of 2010.

Enjoy.

Wednesday, October 13, 2010

Wednesday, October 13, 2010: Dead Kennedys - California Über Alles



If the ideal of California is a dream, then the reality of California can be a nightmare.

Sung from the perspective of then California Governor Jerry Brown, California Über Alles imagines a nightmare world where Brown's "suede denim secret police" exterminate people with politically-correct "organic poison gas" for not being "cool". It is a scathing, sarcastic attack on hippies, politicians, and the abuse of power.

As such, it is also one of the coolest songs about California ever.

One of the testaments to this songs coolness is in it's flexibility.

DK frontman Jello Biafra has updated this song several times since it was the DK's first single in 1979. In 1984, this song was re-released on the Dead Kennedys album In God We Trust, Inc., which is about then-president Ronald Reagan. The song was re-titled, "We've Got A Bigger Problem Now."

The Disposable Heroes Of Hiphoprisy then did a cover of this song in 1991 skewering then California Governor Pete Wilson.

Most recently Jello Biafra has focused on the current California Governor Arnold Schwarzenegger and his alleged pro-Nazi viewpoints. Kali-Fornia Uber Alles 21st Century cranks up the Nazi symbolism and Schwarzenegger parody to 11, thus invalidating most of the satire and poignancy of the original song.

That said, the take over of government by fascists and their extreme abuses of power that was imagined in the original song have come to bear some resemblance to reality in this newer version:

Mandate: Two-Thousand-und-four
Knock knock at your bedroom door
It's the Homeland Security Police
You're a terrorist, and so is your niece

Maybe we'll all look good as draw string lamps eventually.